randian | 燃点

The Kochi-Muziris Biennale is pleased to announce the first list of artists who will be part of its third edition. >> Read more

Chen Chieh-jen's Realm of Reverberation (2014) participates in the 2nd Kochi-Muziris Biennale curated by contemporary artist, Jitish Kallat, with the theme of "Whorled Exploration". >> Read more

The first edition of the Yinchuan Biennale which will open on September 9, 2016 with the participation of 74 artists from 33 countries including China and will culminate on December 18, 2016. >> Read more

KMB is a project for artistic experimentation and innovation rooted in the history of its site and an eminent point of contact between art and community. >> Read more

Sullivan+Strumpf is delighted to present Alex Seton's, Cargo, an exhibition of new marble sculptures depicting highly compressed bales of clothing; of the kind found in the second-hand clothes industry. >> Read more

Esther Schipper is pleased to announce Prabhavathi Meppayil's first solo exhibition with the gallery, entitled b/seven eighths. The exhibition will include four ensembles of works. >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, the artist’s first solo exhibition in Asia, from December 17th, 2017 to April 1st, 2018. The exhibition features 24 works of art, including 5 monumental installations from the collection of Yuz Foundation. Kwade questions the seemingly immutable and unshakable realities in an innovative artistic language […] >> Read more

Scene / Asia is a dynamic platform for enabling active interaction with multiple scenes in Asia: >> Read more

Galerie Nathalie Obadia is very pleased to present We owe this considerable land to the horizon line, the first solo exhibition in France of the work of Shahpour Pouyan. Shahpour Pouyan was born in Isfahan in 1979, a year marked by the Islamic Revolution in Iran, and grew up in Tehran in the midst of […] >> Read more

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more